Los
Gatos Black on Halloween is a picture book written by Marisa Montes and
illustrated by Yuyi Morales, and it won the Pura Belpré Award for its
illustrations. This book is unique because it is mostly in English, but there
are Spanish words sprinkled throughout the text, with one to three Spanish
words on each page. The story takes place on Halloween and describes various
creatures that are out for the night, including cats (los gatos), pumpkins (las
calabazas), skeletons (los esqueletos), and the mummy (la momia). All of the
creatures come together to form an eerie parade that leads to a haunted
mansion, where the creatures throw a monstrous party filled with music and
dancing. Suddenly, however, the party is interrupted by three (tres) loud
knocks on the door (la puerta). It turns out to be children who are trick or
treating, which is a horrifying sight to these monsters on Halloween!
APA Reference of Book
Montes, M. (2006). Los gatos black on Halloween. New York, NY: Henry Holt and Company.
Impressions
I really enjoyed reading this simple,
bilingual story about Halloween. The text was playful, unique, and engaging
with the inclusion of rhyme and Spanish words. The Spanish words were
italicized throughout the story, which was helpful so that children can easily
identify which words are in Spanish. Some of the Spanish words may go over
children’s heads, particularly younger children below 2nd grade, but
there are many clues provided in the text and in the illustrations to allow
readers to figure out the meaning of the foreign words. For instance, on the
first page it says, “Los gatos black
with eyes of green, Cats slink and creep on Halloween.” This is pretty clear
that los gatos means cats because the
text repeats the word in English in the second line, and the illustration on
the accompanying page shows cats. The only odd thing I noticed about this
particular illustration was that the cats do not seem to have green eyes, so
the picture does not completely correspond with the description in the text. On
the second page, it says, “Las calabazas,
fat and round, Carved pumpkins guard a hallowed ground.” Again, I think most
kids could figure out that las calabazas means
pumpkins because of the description provided of “fat and round,” the inclusion
of the English word in the second line, and the illustration on the page that
features big, round pumpkins. As a result, I think the author did a fantastic
job of weaving her text together in such a way that it has a pleasing, rhyming
sound and a sense of musicality; it effectively teaches readers the meaning of
Spanish words; it includes concise yet descriptive details of the setting and
the creatures; and it tells a simple, but interesting, story with a funny twist
at the end. In addition, this book could be read by an adult to a younger
child, and the adult can assist with explaining the Spanish words if the child
did not understand. There is also a helpful glossary at the end of the book that
alphabetizes all of the Spanish words used in the story, defines them, and
provides the pronunciation, which I thought was a very nice touch.
I think this book was enjoyable also
because of the award-winning illustrations that are ideal for a juvenile
audience—they are both creepy and playful, and they are wonderfully appropriate
for a Halloween book. The use of dark colors reinforces the setting of a dark,
eerie, Halloween night and effectively matches the mood of the story. When
lighter colors are utilized, though, they almost appear to glow, which is a
great contrast to the predominantly-used dark colors. The moon appears
throughout the pages of this book, and the illustrator, Yuyi Morales, did a
great job of making the light appear to radiate from the moon. The texture of
the illustrations was also unique and intriguing—the reader can see the
paintbrush streaks across the page, which works well to reinforce the smooth,
creeping, crawling creatures that are in the pictures and described in the
text. Furthermore, the illustrations are not too scary or creepy for a juvenile
audience; the creatures are eerie, but they also often smile and appear
playful, especially once they get to the party at the mansion. Things like a
witch that appears to be standing and surfing on her broomsticks, a zombie with
a yellow smiley face on his shirt, and a vampire primping and smiling at
himself in the mirror will likely make children laugh and enjoy this story even
more while also get them in the spirit of Halloween.
The illustrations also accurately portray the
details of the story provided in the text (aside from the one instance I
noticed on the first page where the cats do not actually have green eyes).
Sometimes, the illustrations also add additional details that would be
entertaining for readers and that would encourage readers to spend more time on
the page to observe the details of the pictures. For instance, on page 12, the
vampire is looking at himself in the mirror as he is combing his hair, but
readers may notice that there is no reflection of the vampire in the mirror,
just the comb and his clothes. Overall, this book provided a very positive
reading experience for me as an adult, and I think it has a lot to offer to
children as well with its successful combination of creepiness and humor,
especially with the surprising and satisfying ending.
Professional Review
According to a
review on the website for Kirkus Reviews
(2006):
Montes’s vivid poem, replete with the appropriate
creepiness, describes all of the usual—and some not-so-usual—Halloween
suspects. Under the full moon, los gatos slink, yowl and hiss. Las brujas fly
on their brooms. Los esqueletos rattle their bones. Pumpkins burn, mummies
stalk, the wolfman prowls, the dead rise and ghouls and zombies march across
the pages, all parading toward a haunted mansion for a monstrous ball. Eerie
music resonates throughout the night, and all of the creatures begin to waltz,
boogie and bop—until tres loud raps (“Rap! Rap! Rap!”) sound at the door. Who
could it be? Not children trick-or-treating! Suddenly the creatures vanish.
Nothing scares a monster more than human niños, particularly on Halloween.
Spanish words, perfectly defined by context, flow smoothly throughout the
atmospheric, rhymed text and are officially defined in an accessible glossary
at the story’s end. Morales’s dark, glowing pictures of inventively
proportioned ghosts and other sinister night creatures provide the ideal
accompaniment. A spooky seasonal treat and a great choice for any collection. (para.
1)
According to a
review on the website for Publishers
Weekly (2006):
Halloween and the Day of the Dead overlap in this
atmospheric, bilingual romp. Montes (Juan Bobo Goes to Work ) composes
serviceable stanzas, using English and Spanish words as synonyms: "Los
gatos black with eyes of green,/ Cats slink and creep on Halloween." This
dual-language approach can be redundant ("At medianoche midnight
strikes..."), yet Morales (Harvesting Hope ) holds readers' attention with
surreal, faintly macabre spreads in dim turquoise and clay-brown hues,
illuminated by fuschia and flame orange. Witches fly broomsticks like
skateboard whizzes, a headstone references Mexican comic Cantinflas and
sallow-faced muertos dance until children arrive: "The thing that monsters
most abhor/ Are human niños at the door!" (para. 1)
Library
Uses
This book could be utilized in multiple ways. It seems that
this book would be great for a bilingual storytime for kids in kindergarten
through 2nd or 3rd grade, particularly around Halloween.
A librarian or teacher can read the story to the class and occasionally point
out the Spanish words in the text to explain what they mean (while not
disrupting the rhyme and the flow of the story too much). This story could also
be utilized in a Spanish immersion class or just a class where the students are
learning Spanish. The children can read the book and use the Spanish words in
the story for vocabulary words for that week. The glossary in the back of the
book can be utilized by the teacher to write the words and their definitions on
a large white board for the students. This story could even be utilized in a
classroom or school library setting to introduce a unit on poetry, using the
story as an example of end rhyme.
This book could also be used in a public library setting
during a Halloween program. A short storytelling activity could take place
during the program, and this book would be a great story to include since it is
appropriate for the entire family, but it still effectively portrays the eerie
mood of Halloween.
References
[Review of the book Los
gatos black on Halloween, by M. Montes]. (2006, April 15).
Kirkus Reviews. Retrieved from
www.kirkusreviews.com
[Review of the book Los
gatos black on Halloween, by M. Montes]. (2006, August 14).
Publishers Weekly. Retrieved from
www.publishersweekly.com
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